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File di torrent sangat lah susah di download karena IP adress atau proxy nya tidak sesuai dengan yang dikeluar kan oleh torrent nya...
untuk mengakali bagaimana kita bisa download ada cara yang mudah tanpa harus menggunakan Bittorent software nya torrent..
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Kamis, Januari 05, 2012
Jumat, Februari 18, 2011
Home Business-Making Money Online(Future of all jobs)
Home Business-Making Money Online(Future of all jobs)
Intro
Well folks what you must understand is that many people are looking for a "get rich" program or company that will make them more money, than they can dream. Well making money won't happen over night, unless you dedicate your time to what ever program you choose. I will show and tell, every Internet making strategy that I have to offer. I would also like to tell you that a home business requires some money, or you can find programs that do not cost a dime. The only problem with some of the companies out there, is that you have to sell something to people. Usually most people will turn you down because they do not have the money or they believe that your trying to hard, which is what most salesman do just to get the sale. So what the new brilliant companies that are in the world today, have thought of better ideas, which is called the "referral program" this allows members or affiliates to get their friends and family to join and make money from them. In return, their friends can get their friends to join. Now this is not a pyramid scheme because they have enhanced this to make real money and not just promise it. It all depends what you hear about the company. This leads to my first topic.
Research(Youtube website click here)
You first have to know what the company does and what they have to offer you. What benefits does the company have to offer?
Well to do this you must research the topic, so You go to YouTube and type in that company into the search bar. People that are part of this company already will have videos posted about that company or maybe even several companies. You will also have to recognize the difference between a scam and a legit money making business. So if the person is trying to sell you something, which you can tell by the way they talk, persuade, and if it sounds too good to be true. The most logical videos to me are the unprofessional videos, which people make from a webcam or just a regular camera. Makes sense right...... So if the person in the video is talking about a company that is free, but costs money after you sign up, then it most likely is a scam, but not in all cases, which I will show you. This leads to my next topic.
Finding the best program is the most important idea to have because it will affect how you are rewarded. If you have ever heard of quickstar or amway, then you have some idea of what a home business is, but I will be showing you how to get your own home business started, using the Internet. The only problem that I have with Amway is that you have to sell products and not just promote them. The difference between selling and promoting is that when you promote, you are only offering deals or savings to your customers on your website. Your customers don't have to buy it and your not constantly trying to sell an item to them, like a salesman. So basically, if they like what they see they will more than likely buy it because it is usually cheaper, when the product is promoted. I have joined many programs that were good and some were just a scam. "Research about a company" is the best way to avoid being scammed. I had to find out the hard way, but I started to research every program available and found three major money-making programs. The first is called GDI, which you can find at this LINK or you can watch this VIDEO to see what research I have found about this program. Another program that I have joined is called ClickBank. The last and final program, which I have joined is called Google Adsense.
GDI-(actual website click here)
This program is my favorite because it allows you to make the most money. The most valuable aspect of this program is referrals. The first aspect is about making a WEBSITE for your home business. All their domain names end with (.ws). The reason why they chose to do this is because most websites are (.com), so when you search your (.com) domain, you can't always find it. With a different extension you can find your website on the first page of your search, whether it be through (Google, Yahoo, MSN, Bing, etc..) This will help your customers find your website right away and you won't have to pay so much to advertise with Google or any other search engine. So if your looking to start an online/home business or start a website, you can get paid for referring affiliates to this program. This unique program allows you to refer people "five" levels deep, which means your first level is people who you refer and the next four levels is the process of your referred affiliates, who refer other people. This process will keep going until you have met your five levels, but each level after meeting the fifth level, will still be able to refer other people and your money-making process continues. . This program also has has the "five affiliate in one week" benefit. This benefit rewards you with $100 dollars when you refer five people in one week. So imagine referring about 20 people in one week. This is $400 in your name. This program also has a 7 day trial and then you pay $10/month, which is worth it to me, if I am referring five people each week. So if you don't like it your first 7 days you can cancel, without ever having to pay a dime, but I recommend you stick with it. This program also has the "premium package", which is $50/month, but is worth it because you get back more % of commissions. Premium also allows you to be entered into the GDI Lottery, which choses a winner and gives these members free affiliates. So imagine winning all the affiliates that are members. Now you can times that by a dollar because every person that is in your "down line" you get a dollar. So if you have 4,000 people in your down line, you make $4,000 every month. So the lottery is great because you can get thousands of people in your down line.
Why You Should Stay With It?
Well first off, let's just say you refer a friend. Now your 7 day free trial is up and you decide to cancel. A few weeks later, your friend comes to thank you for referring him/her. Well, little did you know he is now making $560/month and he referred your parents. I don't think you would want to regret that. Oh!!!! by the way your friend makes that same amount every month and it is residual income, which means it will only increase, not decrease. I know I wouldn't want to be in that position. So think about what this program has to offer and see if you like it. There's nothing wrong with giving it a shot.
Now your probably wondering how they can pay out so much, just to one affiliate and I will tell you. Well when you have thousands of affiliates who pay $10/month or even premium, which is $50/month, that adds up. They also do advertisement, through GOOGLE ADSENSE, which I will show you in the next program.
GOOGLE ADSENSE-(actual website click here)
Google Adsense has been design to not only earn back the money that you spend to advertise through this program, but also allows you to make an add and get payed per click. So people click on your add and you make money. When they click on an add, they go to another website, which may help the customer find what they are looking for. The important part of this benefit is that if your website is boring, the adds will be posted on your website. So you can either sell your products on your website or if the visitor decides he or she doesn't want to buy anything, than they will see "replicated sites", which means, websites that are like yours. So even if you don't sell a product, you can still make money just from their visit. To learn more about Google Adsense watch this VIDEO.
ClickBank-(actual website click here)
ClickBank is a advertising program that allows a person to promote products for other people or companies. So let's say the Hershey Chocolate Company was having a special on all their products. You would simply copy/paste the URL/HTML into your blog, website, or even Facebook. So now you tell your friends about the special. They click on the special and let's say they decide to buy it. Well then you make up to 75% commission of that product. So if the product was $50, you would make up to 75% of that product that was sold. So a smart thing to do is post these products on every blog that has related content. The way they keep track of your promoted products is my your username. Your username is added to the HTML, this way they know who to pay. Make sure that you sign in before you promote a product, but if you do promote a product it will still ask you your username. I found this program t be very successful because people are always looking for good deals and savings. Well, see for yourself and try it out.
Conclusion
The best advice that I can give you is use GDI because it is the best program that I have told you about today. Now I also advice you to use all three of these programs on the same website. This way you will receive 3 separate checks and be making more money. So sign up with GDI and make your website, then sign up with ClickBank, start promoting, and copy/paste your promoted product's HTML in your GDI website. Now, sign up with Google Adsense and post an add in your GDI website. This will give you three ways of making money for your website. The final step is advertising through Google Adwords, which doesn't cost much, but this is how you drive traffic to your website.
I hope that I have helped you learn how you can start making money from a home business. If you like this blog come back on 03/30/2011, I have a new website that you may be interested in. I will post the site as a link and explain what it is all about.
COMING SOON: INVESTorGAMBLE.com
Jumat, Februari 11, 2011
Unique Daily Articles | How Adsense Works
Unique Daily Articles | How Adsense Works
By: Dave Templeton
Author Resource:-> Discover how you can start to make money online by visiting make-internet-income-from-home.com where you will find tons of free information.
Article From Unique Daily Articles
How Adsense Works
By: Dave Templeton
Online advertising can make or break the income of a website. Google Adsense is an advertising program designed to help website owners in generating revenue from their sites. While many individuals sell products online, Adsense is the primary income source for thousands of websites. In fact, for many people with websites, Adsense is the only way their sites really make any money.
Google scouts for advertisers for the site, and the user receives payment based on valid ad clicks. Because Google deals with all parties, making money is much simpler.
Placement of ads is also a factor in their success. Links related to a headline generate the most traffic when they are directly below they headline they relate to. This headline slot is best reserved for the top-paying advertiser. Because the page owner gets to choose the style of the page, this also means they will choose where the ad links will go. This helps make it easier for the advertisements to blend in with the format of the site and therefore not look like a classifieds page.
The phrase "content is king" may be overused but really holds true. Quality original website content is a key factor in making a profit on the internet. In the end, income through Google Adsense relies on traffic, beginning with those visitors that the site owner knows personally, and spiraling outward. As the amount of traffic grows, the site will attract better-paying advertisements. You should consider ads on all pages, except possibly contact, privacy policy or this type of non content page.
If creating a website, advertisements should be placed on each page (except possibly contact, policy, and similar non content pages) so having many pages can be advantageous.
You will be surprised to find how much you can make using Adsense as a primary part of your online business!
Author Resource:-> Discover how you can start to make money online by visiting make-internet-income-from-home.com where you will find tons of free information.
Article From Unique Daily Articles
Senin, Agustus 30, 2010
IE Cookies ha.ckers.org web application security lab
IE Cookies
26 posts left…
The fact that IE8 doesn’t delete cookies upon telling it to (at least in my testing) until browser shut-down isn’t just bad for usability (and ho boy is it annoying when you’re testing) but it has other interesting privacy implications. Generally I tell people not to set the same cookie more than once. That makes it harder to use old XMLHTTPRequest bugs to download the cookie (which may otherwise be protected using HTTPOnly). But what if the cookie weren’t sensitive, but rather used for tracking?
If a site sets a unique cookie and the user clears cookies in IE8, that doesn’t mean that IE8 doesn’t keep sending the cookie (it’s retained in memory) - which means the site still gets it. If the site is trying to track the user they can simply keep setting the exact same HTTP cookie with an “expires” in the future to make it persist after the browser closes and voila! Even though the user thinks they cleaned their cookies, not for a moment was the cookie removed in IE8. Could be useful for banner advertisers or companies that need to do large scale tracking of users.
FileZilla 3.3.4.1 ( PORTABLE) � WarezRocker - Fresh RapidShare HotFile Download
ileZilla 3.3.4.1 (+ PORTABLE)
FileZilla 3.3.4.1 (+ PORTABLE) | 10.19 MB
FileZilla Client is a fast and reliable cross-platform FTP, FTPS and SFTP client with lots of useful features and an intuitive interface. It is a powerful FTP-client for 32-bit MS Windows XP, Vista and Windows 7 for file uploading and downloading to and from your FTP site, server, or host.
The program lets you transfer files and navigate among folders, Web sites, and your computer. This software enables you to perform multiple file transfers simultaneously. FileZilla is open source software distributed under the terms of the GNU General Public License. It has been designed for ease of use and with support for as many features as possible, while still being fast and reliable.
Features of FileZilla include the following:
• Easy to use
• Supports FTP, FTP over SSL/TLS (FTPS) and SSH File Transfer Protocol (SFTP)
• Cross-platform. Runs on Windows, Linux, *BSD, OSX and more
• Available in many languages
• Supports resume and transfer of large files >4GB
• Powerful Site Manager and transfer queue
• Drag & drop support
• Configurable Speed limits
• Filename filters
• Network configuration wizard
• Ability to resume Uploads/Downloads (if the server supports it)
• Custom Commands
• Site Manager with folders
• Keep Alive system
• Timeout detection
• SOCKS4/5 and HTTP1.1 Proxy support
• GSS authentication and encryption using Kerberos
Change Log:
Bugfixes and minor changes:
* Correctly handle symbolic links pointing to files in search dialog
* Fix crash in options initialization
Homepage - http://filezilla-project.org
DOWNLOAD
http://www.fileserve.com/file/PBkJUDN/220810.bfly9.FileZilla3.3.4.1.rar
http://hotfile.com/dl/63901758/453ec9d/220810.bfly9.FileZilla3.3.4.1.rar.html
The program lets you transfer files and navigate among folders, Web sites, and your computer. This software enables you to perform multiple file transfers simultaneously. FileZilla is open source software distributed under the terms of the GNU General Public License. It has been designed for ease of use and with support for as many features as possible, while still being fast and reliable.
Features of FileZilla include the following:
• Easy to use
• Supports FTP, FTP over SSL/TLS (FTPS) and SSH File Transfer Protocol (SFTP)
• Cross-platform. Runs on Windows, Linux, *BSD, OSX and more
• Available in many languages
• Supports resume and transfer of large files >4GB
• Powerful Site Manager and transfer queue
• Drag & drop support
• Configurable Speed limits
• Filename filters
• Network configuration wizard
• Ability to resume Uploads/Downloads (if the server supports it)
• Custom Commands
• Site Manager with folders
• Keep Alive system
• Timeout detection
• SOCKS4/5 and HTTP1.1 Proxy support
• GSS authentication and encryption using Kerberos
Change Log:
Bugfixes and minor changes:
* Correctly handle symbolic links pointing to files in search dialog
* Fix crash in options initialization
Homepage - http://filezilla-project.org
DOWNLOAD
http://www.fileserve.com/file/PBkJUDN/220810.bfly9.FileZilla3.3.4.1.rar
http://hotfile.com/dl/63901758/453ec9d/220810.bfly9.FileZilla3.3.4.1.rar.html
Coollector 2.84 rapidshare, megaupload, torrent download
Coollector 2.84 | 31.79 Mb
Track the movies you've seen & manage your video collection. Easy to use and completely free, Coollector is a huge encyclopedia of movies and series, combined with a database of existing videos. You track not only the videos you own, but also all the movies you've seen, good or bad. Contrary to other movie collection managers, you don't start with some dull empty database. The whole encyclopedia is included with the program: you download--you have it all. You can rate the movies and persons. You easily maintain a wish list. You keep track of the videos you own, as well as those you've loaned. There's price information, and tools to help you find the best bargains. You can search the database in all possible ways.
Coollector is an Encyclopedia of Movies, Video Collection Manager and Shopping Tool combined inside a child-play to use Freeware.
In other words, Coollector blends 3 types of information into a unique interface: your cinematographical culture + your video collection + the videos available in store. This innovative 3-in-1 concept offers a completely new experience because each part interacts deeply and naturally with the others.
Download:
http://hotfile.com/dl/65665382/0ad71d8/Coollector_2.84.rar.html
http://www.filesonic.com/file/18124801/Coollector_2.84.rar
http://hotfile.com/dl/65665382/0ad71d8/Coollector_2.84.rar.html
http://www.filesonic.com/file/18124801/Coollector_2.84.rar
Senin, Juni 22, 2009
Windows Server 2008 R2 RC
Windows 7 sehubungan dengan keprihatinan, Windows Server 2008 R2 server sebagai sistem operasi, Windows 7 bukan dari kepedulian kemudian. Tetapi pemilu pada hari yang sama Microsoft merilis dua sistem Mei menjelaskan, di dalam aplikasi server platform, code-named Windows 7 Server di Windows Server 2008 R2 juga untuk menimbulkan kekhawatiran. Windows Server 2008 R2 sebagai generasi berikutnya dari sistem operasi server Microsoft, Windows Server 2008 tidak hanya peningkatan versi sederhana dapat dilepaskan sebagai berat, tetapi sejak memasuki tahap RC dan melakukan banyak perubahan, fitur-fitur baru juga cukup nomor .
Berdasarkan fungsi dan fitur yang ada pada Windows Server 2008, dan dilaksanakan di mendalam disempurnakan dan ditingkatkan. Pengembangan sistem, kode-bernama Windows Server 7, yang setara dengan server versi Windows 7, baik yang sama kejang. Microsoft baru saja merilis Windows Server 2008 R2 RC download, Bahasa dan pagi yang sama Windows 7.
Windows Server 2008 R2 RC menguji versi produk serial number:
Windows Server 2008 R2 Enterprise Release Candidate (Standard Edition)
Kode produk: Q7Y83-W4FVQ-6MC6C-6QQTD-TPM88
Windows Server 2008 R2 Release Calon Standar (Enterprise Edition)
Kode produk: V4KRB-QDWK2-GVT4X-BV4XG-34TV4
Windows Server 2008 R2 Release Calon data (Data Center Edition)
Kode produk: WXGKX-XXW8X-P8KTJ-PFX7T-DPYYW
Windows Web Server 2008 R2 Release Candidate (WEB versi)
Kode produk: RBBKH-BVD6B-74FV9-RYPJ7-TCFXB
Windows Server 2008 R2 RC Inggris Itanium Download Alamat:
http://download.microsoft.com/download/0/B/A/0BA1B6E0-EDBD-48C0-83EE-C2EB451BE43D/Windows_Server_2008_R2_RC_EN_ (Itanium). iso
Berdasarkan fungsi dan fitur yang ada pada Windows Server 2008, dan dilaksanakan di mendalam disempurnakan dan ditingkatkan. Pengembangan sistem, kode-bernama Windows Server 7, yang setara dengan server versi Windows 7, baik yang sama kejang. Microsoft baru saja merilis Windows Server 2008 R2 RC download, Bahasa dan pagi yang sama Windows 7.
Windows Server 2008 R2 RC menguji versi produk serial number:
Windows Server 2008 R2 Enterprise Release Candidate (Standard Edition)
Kode produk: Q7Y83-W4FVQ-6MC6C-6QQTD-TPM88
Windows Server 2008 R2 Release Calon Standar (Enterprise Edition)
Kode produk: V4KRB-QDWK2-GVT4X-BV4XG-34TV4
Windows Server 2008 R2 Release Calon data (Data Center Edition)
Kode produk: WXGKX-XXW8X-P8KTJ-PFX7T-DPYYW
Windows Web Server 2008 R2 Release Candidate (WEB versi)
Kode produk: RBBKH-BVD6B-74FV9-RYPJ7-TCFXB
Windows Server 2008 R2 RC Inggris Itanium Download Alamat:
http://download.microsoft.com/download/0/B/A/0BA1B6E0-EDBD-48C0-83EE-C2EB451BE43D/Windows_Server_2008_R2_RC_EN_ (Itanium). iso
Windows 7 RC、Server 2008 R2 RC
Dan di berbagai tahapan Beta, Microsoft telah meluncurkan Windows 7 di depan RC dan Windows Server 2008 R2 RC mendownload publik untuk menguji, teman-teman tertarik sekarang dapat resmi cermin.
Setelah perbandingan, Microsoft merilis versi resmi dan kebocoran dari beberapa hari lalu yang sama, nomor versi compiler yang 7100.0.090421-1700 (selesai di 5:00 April 21), sudah terpasang di tidak perlu mengulangi kebocoran versi tidak dapat terjamin dari pengalaman baru sistem tebal.
Windows 7 RC telah x86 32-bit dan 64-bit x64 versi yang dalam bahasa Inggris, Perancis, Jerman, Jepang, Spanyol, dalam lima bahasa, men-download sementara waktu diperpanjang hingga Juli tahun ini. Pratinjau versi sistem tidak membatasi jumlah kunci yang digunakan, penggunaan berlaku sampai 1 Juli 2010, tetapi dari 1 Maret 2010 dan seterusnya akan menutup setiap dua bulan sekali dan akan berakhir sebelum akhir setiap bulan sekali untuk mengingatkan.
Untuk menghindari kesulitan selama periode percobaan, hati-hati sangat dianjurkan inspeksi yang pertama catatan rilis resmi untuk Microsoft (dalam bahasa Inggris), yang disebut sebelum dan setelah instalasi dari beberapa masalah yang mungkin timbul.
Windows 7 RC 32 bit versi Inggris Download Alamat:
http://wb.dlservice.microsoft.com/dl/download/release/windows7/4/0/c/40c1e714-7910-4b38-9b5e-67fa522e6a44/7100.0.090421-1700_x86fre_client_en-us_retail_ultimate-grc1culfrer_en_dvd.iso
Windows 7 RC 64 bit versi Inggris Download Alamat:
http://wb.dlservice.microsoft.com/dl/download/release/windows7/e/b/5/eb58e76e-17fa-409b-855f-11fbe84d1c93/7100.0.090421-1700_x64fre_client_en-us_retail_ultimate-grc1culxfrer_en_dvd.iso
Aktivasi nomor seri (32/64 bit-tujuan umum):
BCGX7-P3XWP-PPPCV-Q2H7C-FCGFR
Q3VMJ-TMJ3M-99RF9-CVPJ3-Q7VF3
6F4BB-YCB3T-WK763-3P6YJ-BVH24
MT39G-9HYXX-J3V3Q-RPXJB-RQ6D7
GPRG6-H3WBB-WJK6G-XX2C7-QGWQ9
MVBCQ-B3VPW-CT369-VM9TB-YFGBP
MVYTY-QP8R7-6G6WG-87MGT-CRH2P
6JQ32-Y9CGY-3Y986-HDQKT-BPFPG
6F4BB-YCB3T-WK763-3P6YJ-BVH24
KGMPT-GQ6XF-DM3VM-HW6PR-DX9G8
P72QK-2Y3B8-YDHDV-29DQB-QKWWM
C43GM-DWWV8-V6MGY-G834Y-Y8QH3
RGQ3V-MCMTC-6HP8R-98CDK-VP3FM
KBHBX-GP9P3-KH4H4-HKJP4-9VYKQ
9JBBV-7Q7P7-CTDB7-KYBKG-X8HHC
MM7DF-G8XWM-J2VRG-4M3C4-GR27X
Windows 7 RC sistem konfigurasi hardware requirements:
Processor: 1GHz atau lebih tinggi frekuensi
Memory: 32-bit 1GB, 64 bit 2GB
Ruang hard disk: 32 16GB, 64 bit 20GB
Grafis: Dukungan untuk DX9 dan WDDM 1.0 atau yang lebih baru
Windows Server 2008 R2 RC ada dua 64-bit dan Itanium versi (tidak lagi didukung 32-bit), juga dalam bahasa Inggris, Perancis, Jerman, Jepang, Spanyol, dalam lima bahasa (Itanium versi non-Spanyol), penggunaan berlaku Pada 1 Maret 2010, tidak memasukkan kunci untuk mencoba selama 30 hari.
Windows Server 2008 R2 RC 64 bit alamat mendownload versi Inggris (tidak ada versi 32-bit):
http://download.microsoft.com/download/A/6/3/A634380A-3CBD-4B37-8E9D-E718E22205E6/Windows_Server_2008_R2_RC_EN.iso
Windows Server 2008 R2 RC VHD virtual hard disk image (untuk Hyper-V):
http://www.microsoft.com/downloads/details.aspx?displaylang=en&FamilyID=053691a9-9fa8-47f2-916c-3fc8b02284b6
Aktivasi serial number:
Enterprise Edition: Q7Y83-W4FVQ-6MC6C-6QQTD-TPM88
Edisi Standar: V4KRB-QDWK2-GVT4X-BV4XG-34TV4
Data Center Edition: WXGKX-XXW8X-P8KTJ-PFX7T-DPYYW
Versi web: RBBKH-BVD6B-74FV9-RYPJ7-TCFXB
Windows Server 2008 R2 RC Inggris Itanium Download Alamat:
http://download.microsoft.com/download/0/B/A/0BA1B6E0-EDBD-48C0-83EE-C2EB451BE43D/Windows_Server_2008_R2_RC_EN_ (Itanium). iso
Aktivasi nomor seri: MW6C7-2MYCB-PF3DK-VCQ2W-XGWFP
Setelah perbandingan, Microsoft merilis versi resmi dan kebocoran dari beberapa hari lalu yang sama, nomor versi compiler yang 7100.0.090421-1700 (selesai di 5:00 April 21), sudah terpasang di tidak perlu mengulangi kebocoran versi tidak dapat terjamin dari pengalaman baru sistem tebal.
Windows 7 RC telah x86 32-bit dan 64-bit x64 versi yang dalam bahasa Inggris, Perancis, Jerman, Jepang, Spanyol, dalam lima bahasa, men-download sementara waktu diperpanjang hingga Juli tahun ini. Pratinjau versi sistem tidak membatasi jumlah kunci yang digunakan, penggunaan berlaku sampai 1 Juli 2010, tetapi dari 1 Maret 2010 dan seterusnya akan menutup setiap dua bulan sekali dan akan berakhir sebelum akhir setiap bulan sekali untuk mengingatkan.
Untuk menghindari kesulitan selama periode percobaan, hati-hati sangat dianjurkan inspeksi yang pertama catatan rilis resmi untuk Microsoft (dalam bahasa Inggris), yang disebut sebelum dan setelah instalasi dari beberapa masalah yang mungkin timbul.
Windows 7 RC 32 bit versi Inggris Download Alamat:
http://wb.dlservice.microsoft.com/dl/download/release/windows7/4/0/c/40c1e714-7910-4b38-9b5e-67fa522e6a44/7100.0.090421-1700_x86fre_client_en-us_retail_ultimate-grc1culfrer_en_dvd.iso
Windows 7 RC 64 bit versi Inggris Download Alamat:
http://wb.dlservice.microsoft.com/dl/download/release/windows7/e/b/5/eb58e76e-17fa-409b-855f-11fbe84d1c93/7100.0.090421-1700_x64fre_client_en-us_retail_ultimate-grc1culxfrer_en_dvd.iso
Aktivasi nomor seri (32/64 bit-tujuan umum):
BCGX7-P3XWP-PPPCV-Q2H7C-FCGFR
Q3VMJ-TMJ3M-99RF9-CVPJ3-Q7VF3
6F4BB-YCB3T-WK763-3P6YJ-BVH24
MT39G-9HYXX-J3V3Q-RPXJB-RQ6D7
GPRG6-H3WBB-WJK6G-XX2C7-QGWQ9
MVBCQ-B3VPW-CT369-VM9TB-YFGBP
MVYTY-QP8R7-6G6WG-87MGT-CRH2P
6JQ32-Y9CGY-3Y986-HDQKT-BPFPG
6F4BB-YCB3T-WK763-3P6YJ-BVH24
KGMPT-GQ6XF-DM3VM-HW6PR-DX9G8
P72QK-2Y3B8-YDHDV-29DQB-QKWWM
C43GM-DWWV8-V6MGY-G834Y-Y8QH3
RGQ3V-MCMTC-6HP8R-98CDK-VP3FM
KBHBX-GP9P3-KH4H4-HKJP4-9VYKQ
9JBBV-7Q7P7-CTDB7-KYBKG-X8HHC
MM7DF-G8XWM-J2VRG-4M3C4-GR27X
Windows 7 RC sistem konfigurasi hardware requirements:
Processor: 1GHz atau lebih tinggi frekuensi
Memory: 32-bit 1GB, 64 bit 2GB
Ruang hard disk: 32 16GB, 64 bit 20GB
Grafis: Dukungan untuk DX9 dan WDDM 1.0 atau yang lebih baru
Windows Server 2008 R2 RC ada dua 64-bit dan Itanium versi (tidak lagi didukung 32-bit), juga dalam bahasa Inggris, Perancis, Jerman, Jepang, Spanyol, dalam lima bahasa (Itanium versi non-Spanyol), penggunaan berlaku Pada 1 Maret 2010, tidak memasukkan kunci untuk mencoba selama 30 hari.
Windows Server 2008 R2 RC 64 bit alamat mendownload versi Inggris (tidak ada versi 32-bit):
http://download.microsoft.com/download/A/6/3/A634380A-3CBD-4B37-8E9D-E718E22205E6/Windows_Server_2008_R2_RC_EN.iso
Windows Server 2008 R2 RC VHD virtual hard disk image (untuk Hyper-V):
http://www.microsoft.com/downloads/details.aspx?displaylang=en&FamilyID=053691a9-9fa8-47f2-916c-3fc8b02284b6
Aktivasi serial number:
Enterprise Edition: Q7Y83-W4FVQ-6MC6C-6QQTD-TPM88
Edisi Standar: V4KRB-QDWK2-GVT4X-BV4XG-34TV4
Data Center Edition: WXGKX-XXW8X-P8KTJ-PFX7T-DPYYW
Versi web: RBBKH-BVD6B-74FV9-RYPJ7-TCFXB
Windows Server 2008 R2 RC Inggris Itanium Download Alamat:
http://download.microsoft.com/download/0/B/A/0BA1B6E0-EDBD-48C0-83EE-C2EB451BE43D/Windows_Server_2008_R2_RC_EN_ (Itanium). iso
Aktivasi nomor seri: MW6C7-2MYCB-PF3DK-VCQ2W-XGWFP
Jumat, April 13, 2007
Jumat, November 17, 2006
Searching for a mobile interface
 |  | By Spencer Kelly Click presenter |
Nearly a quarter of phones returned for being faulty are working properly, a recent survey suggested. The problem is people just cannot figure out how to use them.
Handset design has changed little but supports ever more functions
As manufacturers struggle to pack in more features, mobile phone users struggle to get them to work.
"There's a common idea in psychology that users can only cope with a certain number of choices at once," explains Geoff Kendall of Next Device, "And that number is roughly seven, plus or minus two.
"So anything more than between nine or five choices then users will get confused and actually only look at the top few items anyway."
With increasing depths of lists and menus making the user experience more complex, designers are looking for ways to help users to understand what is happening on the screen. A popular solution is animation.
"Some people think animation is just for eye candy, to make things look good, but it can actually enhance usability," said Mr Kendall.
"For example, on the Apple Mac when you want to minimise a window and you click the button to do so, to take it out of the desktop and away to an icon in the corner, the window appears to be hovered away into the icon.
"On one level that's just a nice visual effect, but on another level, new users who've never clicked that button before can instantly see what's happened to that window, where it's gone. So they can instantly click back on that icon and get the window back."
Keypad design
One solution is called Ninespace, an interface in which every level of the menu is presented as an animated 3x3 grid, with each option corresponding to a number on the keypad.
Perhaps instead of trying to build a menu system around the existing keypad, maybe it is the keypad itself that needs to change.
The iPod wheel has influenced mobile handset designers
Certainly some makers have tried mixing things up a bit, with full qwerty keyboards for the serious typist, or crazy keypads for those that want to stand out from the crowd.
If manufacturers want to highlight the second function of a phone, for example its music playing capabilities, they can build in an extra set of controls.
When you just want to listen to tunes, swivel or slide the keypad out the way, and your phone becomes an mp3 player.
In fact it is in a digital music player that we find one of the few real breaks from the norm that really worked - the wheel that sits on the front of the iPod.
It is a user interface that dares to be different and ticks all the boxes - it looks cool, and actually makes life easier.
Whether or not Apple pinched the menu layout idea from Creative, the iPod has become an icon, its much-copied scroll wheel has become the centre of attention.
'Wheel of fortune'
Geoff Kendall believes the iPod is an example of a mobile experience that works.
"The scroll wheel gives you the same kind of dexterity as a mouse. Within second you can go from top to bottom of a list just by changing the speed your thumb rotates on the wheel.
"This is very different from an up and down cursor, when all you can do is just click through one item at a time over and over again."
Geoff Kendall, Next Device
Nowadays it seems everyone wants a piece of Apple's wheel of fortune. To really make a style statement, some manufacturers seem to think your controls have to be round - some even think that you can do away with the keypad entirely.
On one new phone we tested, the scroll wheel is all you have to navigate the menus, type texts and dial numbers, which can be a bit tedious.
"The iPod scroll wheel is exceptionally good at solving one particular problem, which is navigating through menus where there might be huge long lists of options," Mr Kendall said.
"The problem we have with mobile phones, for example, is that they do much more than just show lists of albums and artists and so on - we have to take pictures, send messages, take calls etc. So I don't think the scroll wheel is the answer to all user interface problems."
Virtual controls
So the wheel is best for lists, the keypad is better for numbers, and other controls are better for other functions. How do you fit that all on a phone?
The answer may be simpler than you think. The phones of the future will perhaps sport the user interface some believe is the best set of controls ever designed - a touch sensitive LCD screen where the buttons should be.
This virtual keypad will mean that whatever mode the phone is in, you get a different set of controls.
"You don't always need or want 12 keys, you might want a scroller, or a wheel, or a joystick, or a navigator, or one key, or three keys," said Nina Warburton of Alloy Product Design.
The idea of a virtual keypad is not brand new - PDAs have been using them for a while - but some designers believe there is still room for improvement.
"Virtual keypads have been tried before and they have experienced lots of problems," said Nina Warburton.
"One of the key problems with them is that you can't feel what you're doing, you're just touching a screen."
Motion sensors
By using a finely honed vibrate function, and audible clicks, it may be possible to recreate the feel of a button being pressed, or even a slider being slid.
Other phone makers are looking at even more radical user interfaces, such as taking a leaf from the new Nintendo Wii games console's motion sensitive controllers.
We have seen footage of a Korean phone with a motion sensor, which supposedly lets you write your numbers in the air.
But for any new user interface to go from good idea to workable product, serious money needs to be invested in its development.
"Even if something is better, users can be a bit reticent about taking it up if it is unknown," said Geoff Kendall.
"I think one of the problems that we have right now is that the market is very conservative.
"Manufacturers don't want to invest a lot of money doing something brand new if users aren't going to buy it if it isn't as thin as the Motorola Razr, for example."
So the question remains - will any manufacturer be willing to take the leap of faith to a new user interface? And if they do, will these new user interfaces catch on? Only time will tell.
FAKE MODEL PHOTOGRAPHY
FAKE MODEL PHOTOGRAPHY
With a very little effort, you can take existing photographs of everyday scenes and make it look like they're actually of miniature models.
It doesn't take much to fool the mind of the viewer, but there are a few basic rules you can follow to help convince your audience that they're looking at a railway set rather than the real world; see the section on picking the right photo at the bottom of this page. You'll need a copy of Photoshop CS or later to follow this tutorial.
page14_1
STEP 1 SET GRADIENT MASK
page14_2
Open up your chosen image, press Q to switch to Quick Mask mode, then click on the Gradient tool. Set the colours to the default black and white by pressing D, then switch them around by clicking on the double-headed arrow next to the colour chips. Next, set up the gradient as shown above. Make sure you select the repeating gradient type – fourth icon along, looks like a cylinder.
STEP 2 APPLY MASK
page14_3
Choose where you want the focal point of the photo to be – usually about halfway between top and bottom – and click and hold at that point. Drag the line of the gradient tool upwards, then release it towards the top of the frame; it doesn't hurt to be a little off the pure vertical. You should get something like what's shown above. Press Q again to switch back from Quick Mask mode.
STEP 3 APPLY LENS BLUR
page14_4
Chose Filter → Blur → Lens Blur to bring up the Lens Blur filter pane. It can take a little tinkering to get the settings just right, but try the above values as a starting place. The Iris section controls the shape of the virtual iris in the lens; a hexagonal iris is most normal, and you could try rounding out the sharp corners of the geometric shape using Blade Curvature. Rotation controls the angle of the hexagon. The Specular Highlights section adds little glints to bright areas, but it's usually not a good idea to drop the value of the Threshold much below 250. Click OK to apply the effect, then clear your selection.
STEP 4 ADJUST CURVES
page14_5
To add to the feeling of artificiality, bring up the Curves palette (go Image → Adjustments → Curves) and drag the RGB curve to something like the example above. It blows out the colours in the image, and makes it look more as if it's built from polystyrene and lichen. Click here for some more examples.
NOTES ON PICKING THE RIGHT PHOTOGRAPH
page14_6
We're used to seeing models from above, so the mind can more easily be fooled by pictures taken looking down than those looking up or at eye level. But almost as important is the lighting in your photo. Models are usually lit by a lamp, so you'd expect to see sharp, directional shadows and bright, almost harsh light. That's partly why the picture of Charing Cross station (left), with its dull, omnidirectional light, doesn't work as well as the picture pointing towards the London Eye (right). Plus, building the model on the left would be the work of years, so the mind tends to be a little more sceptical. Below is the original of the photo used in this tutorial.
page14_7
With a very little effort, you can take existing photographs of everyday scenes and make it look like they're actually of miniature models.
It doesn't take much to fool the mind of the viewer, but there are a few basic rules you can follow to help convince your audience that they're looking at a railway set rather than the real world; see the section on picking the right photo at the bottom of this page. You'll need a copy of Photoshop CS or later to follow this tutorial.
page14_1
STEP 1 SET GRADIENT MASK
page14_2
Open up your chosen image, press Q to switch to Quick Mask mode, then click on the Gradient tool. Set the colours to the default black and white by pressing D, then switch them around by clicking on the double-headed arrow next to the colour chips. Next, set up the gradient as shown above. Make sure you select the repeating gradient type – fourth icon along, looks like a cylinder.
STEP 2 APPLY MASK
page14_3
Choose where you want the focal point of the photo to be – usually about halfway between top and bottom – and click and hold at that point. Drag the line of the gradient tool upwards, then release it towards the top of the frame; it doesn't hurt to be a little off the pure vertical. You should get something like what's shown above. Press Q again to switch back from Quick Mask mode.
STEP 3 APPLY LENS BLUR
page14_4
Chose Filter → Blur → Lens Blur to bring up the Lens Blur filter pane. It can take a little tinkering to get the settings just right, but try the above values as a starting place. The Iris section controls the shape of the virtual iris in the lens; a hexagonal iris is most normal, and you could try rounding out the sharp corners of the geometric shape using Blade Curvature. Rotation controls the angle of the hexagon. The Specular Highlights section adds little glints to bright areas, but it's usually not a good idea to drop the value of the Threshold much below 250. Click OK to apply the effect, then clear your selection.
STEP 4 ADJUST CURVES
page14_5
To add to the feeling of artificiality, bring up the Curves palette (go Image → Adjustments → Curves) and drag the RGB curve to something like the example above. It blows out the colours in the image, and makes it look more as if it's built from polystyrene and lichen. Click here for some more examples.
NOTES ON PICKING THE RIGHT PHOTOGRAPH
page14_6
We're used to seeing models from above, so the mind can more easily be fooled by pictures taken looking down than those looking up or at eye level. But almost as important is the lighting in your photo. Models are usually lit by a lamp, so you'd expect to see sharp, directional shadows and bright, almost harsh light. That's partly why the picture of Charing Cross station (left), with its dull, omnidirectional light, doesn't work as well as the picture pointing towards the London Eye (right). Plus, building the model on the left would be the work of years, so the mind tends to be a little more sceptical. Below is the original of the photo used in this tutorial.
page14_7
Selasa, September 12, 2006
Zigview S2 Digital Angle Finder
Zigview S2 Digital Angle Finder
Intro 2020 Press Release
Seculine revolutionise DSLR handling with the NEW Zigview S2 Digital Angle Finder, with remote detachable 2½ inch screen, TV output, motion sensor and interval timer. The NEW Zigview S2 attaches to your DSLR viewfinder and displays a live video feed from the viewfinder to its large 2.5 inch high resolution LCD, which can be moved to fully tilt and rotate for viewing at any angle. The new unit has excellent low light properties and a high frame rate which displays a bright live image making it fantastic for low and high angle situations as well as being capable of acting as a waist level finder to improve communication with clients during portrait photography.
Monday, 11 September 2006
Pre-Photokina 2006: Sony has today announced two new Cyber-shot digital cameras. The DSC-T50 is another ultra-compact from the 'T series', just like previous T cameras this one has a 3x folded optics lens with optical image stabilization and a seven megapixel sensor. The DSC-N2 is a natural progression of the DSC-N1, the first Sony digital camera to feature a large (3.0") touch-screen LCD and built-in RAM for a carry-around mini-gallery. The N2 sounds fairly similar albeit for a ten megapixel (yipee) 1/1.8" CCD and shooting up to ISO 1600 (compared to 800 on the N1). Both cameras should be available in October, the DSC-T50 for $500, the DSC-N2 for $450. (07:05 GMT)info :
SONY’S NEW CYBER-SHOT DIGITAL STILL CAMERAS
HELP MASTER THE ART OF STORYTELLING
SAN DIEGO, Sept. 10, 2006 — It’s easy to pocket your screen gems and dazzle audiences with Sony’s new Cyber-shot® DSC-T50 and DSC-N2 digital cameras, featuring three-inch touch-screen displays and built-in slide show capability.
The new models’ extra-large screens with intuitive menu options allow for less physical buttons on the camera bodies, resulting in a sleeker design. They also incorporate Sony’s Clear Photo Plus LCD technology for higher resolution (230K), higher contrast and optimal viewing from various angles.
You can use your photos to craft dynamic, personal narratives with in-camera slide shows – complete with your own music and transition effects such as pans, wipes and fades.
“With digital photography, the social interaction that happens when people share their pictures has become as important as making great photographs,” said Phil Lubell, director of marketing for digital still cameras and photo printers at Sony Electronics. “Large, durable, scratch-resistant touch screens with enhanced photo-viewing capabilities are a means to ensuring that photo buffs get the maximum enjoyment out of using their cameras.”
High-Tech Features for Creative Sharing
The ultra-slim and stylish DSC-T50 model is the new top-of-the-line camera in the T-series. It is equipped with a seven-megapixel CCD imager, a Carl Zeiss® Vario Tessar® 3x optical zoom lens, and 56 MB of internal memory. This camera shines with its performance and looks, shipping in bold red, black and silver. With pictures stored on an optional four-gigabyte Memory Stick Duo™ or Memory Stick PRO Duo™ media cards, the camera can play back more than 1,100 high-resolution images in slide show mode.
The elegant DSC-N2 camera debuts in champagne gold and is a ten-megapixel powerhouse with an extending Carl Zeiss® Vario Tessar® 3x optical zoom lens. With its built-in photo album function, this model can be a photo diary in your pocket, loaded with up to 500 of your favorite images.
Every time you snap a picture, the DSC-N2 model will store a full-resolution image on the optional media card or in the camera’s 25 MB of internal memory. Additionally, it automatically resizes that same image in VGA resolution and stores it in a portion of the camera’s internal memory dedicated to pocket album. No matter how many pictures are offloaded from the media card, you can choose to protect the images you want to keep and, over time, you have a collection of your favorite shots in the camera.
Taking great photos with the DSC-T50 and DSC-N2 cameras will be as enjoyable as sharing them. With shutter lag reduced to milliseconds, you can snap away until the whole story is told. Sony’s Real Imaging Processor® circuitry delivers fast response times and helps to prolong the life of the cameras’ supplied Stamina® InfoLithium batteries -- up to 400 shots per full charge for the DSC-T50 model and 300 shots per full charge for the DSC-N2 camera.
Blur the Storylines, Never the Photos
These new models feature blur reduction technologies to help you get the shots you want, even in some of the most challenging conditions.
The Cyber-shot DSC-T50 camera offers Super SteadyShot® optical image stabilization to minimize blur caused by shaky hands. Both of the new models incorporate high light sensitivity, up to IS0 1000 for the DSC-T50 camera and IS0 1600 for the DSC-N2 model, to facilitate shooting without blur at faster shutter speeds– a necessity when capturing fast-moving subjects or taking photos in low-light environments.
Print and Share
You can spark your audience’s imaginations even further with one of Sony’s print and share solutions. Tell your story one snapshot at a time, from the convenience of your own home, with the Sony DPP-FP55 photo printer. Or, order multiple digital prints at www.imagestation.com, have them delivered to your home or pick them up at retail, and weave a yarn that’s sure to impress your family and friends.
The Cyber-shot DSC-T50 camera ships in October for about $500. Optional accessories include the HVL-RLS ring light, used for close-up shots, for about $100, NP-FR1 InfoLithium® battery, and LCJ-THA leather carrying case for about $40.
The DSC-N2 model also hits stores in October for about $450. Optional accessories include the MPK-NA marine pack for about $200, NP-FT1 InfoLithium® battery for about $50, and LCS-NA leather carrying case for about $50.
Both models will be available online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), and at authorized dealers nationwide. Pre-orders begin on Sept. 12 at www.sonystyle.com/T50 and www.sonystyle.com/N2.
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News Photographer Magazine
News Photographer Magazine
September 2006 issue of News Photographer magazine
The September issue of News Photographer magazine features a cover story on Joseph J. Rosenthal, an NPPA Life member who took one of the most famous and iconic photographs in American history, of soldiers raising the American flag over Mount Surabachi during the bloody World War II battle for the tiny island of Iwo Jima in the South Pacific. Rosenthal, who won the Pulitzer Prize for photography for the image in 1945, died in late August at the age of 94. Also in this issue, writer Mike Binkley tells how KSPT-TV's Jason Hanson "runs and guns and gets it done," a video editor who also still shoots and - it just so happens - also turns out to be NPPA's Best Of Photojournalism's 2006 TV Video Editor of the Year, with photographs by last year's NPPA Newspaper Photographer of the Year, Jim Gehrz. In Indiana for the past eight years, photojournalist Steve Linsenmayer has been documenting Burmese refugees who came to Fort Wayne to start new lives. Editors at The News-Sentinel decided it was time to show Hoosier readers the far-away homeland where so many of their new neighbors came from (the city has the largest Burmese refugee community in the States), so they sent Linsenmayer to Burma and Thailand to bring home the pictures. Other stories in this issue include the first of a twelve-part series as former TV POY Doug Legore searches for past TV POY winners to discover where they are now, and what they're doing with their storytelling skills; photojournalism student Gadi Schwartz takes readers on a Mexican Journey as he follows a family's ten-day illegal trek across the border and into Colorado where they annually look for work; Charles Abel dives into what editors are looking for in cover letters from job and internship seekers; and a look at three new photography books by Steve Simon, Neil Leifer, and some New York City high school kids, reviewed by Steve Wolgast and Marianne Fulton. These stories and more in the September issue of News Photographer magazine.
* * * *
The August 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Photojournalist of the Year for Larger Markets, David Guttenfelder of the Associated Press. He grew up as a high school wrestler living on a farm in Iowa, then college and photography turned the world into his beat. Guttenfelder’s spent the last ten years covering most of the world’s major conflicts and news stories. Also, television news cameraman Kurt Volkert – who covered the world for three decades for CBS News, and after his experience in Cambodia co-authored the book Cambodian Odyssey, a story about the deaths of journalists covering that war – compares the “bad old days” of Cambodia with the “bad new days” of Iraq and the dangers photojournalists face today in that conflict. In other stories, writer Jim Trotter tells the story of Janet Reeves, the director of photography for The Rocky Mountain News, who came into the newspaper as a lab tech and rose through the shooting and picture editing ranks to lead a department that now wins Pulitzer Prizes for photography; and in first-person accounts, some of the photographers who persevered and survived Hurricane Katrina and who have spent the last year in New Orleans covering the city’s recovery share their experiences. Also in this issue are reviews of Bryan Moss’s new book, Photosynthesis, and David Friend’s new book, Watching The World Change: The Stories Behind the Images of 9/11. These stories and more in the August 2006 issue of News Photographer.
* * * *
The July 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Photojournalist of the Year for smaller markets, Josh Meltzer of The Roanoke Times. Writer Mary Bishop tells how Meltzer was destined to be a photojournalist, even from his high school days. Also, 34 years after “The Naplam Girl,” photojournalist Nick Ut assures those concerned about Phan Thi Kim Phuc that “Everything is okay now." Cindi Christie tells how the Contra Costa Times tackled "Where We Live" monthly for more than two years, and Stephen Wolgast talks with Ken Light about his new book, Coal Hollow, and the photographs and oral history he's done of West Virginia's collapsed coal miners. There's a tribute to a great newspaper editor, the late Barry Bingham, Jr., of Louisville, KY, and Corey Dellenbach tells what it's like to be a one-man-band newspaper sports editor and staff photographer at the Shawano Leader. These stories and more in the July 2006 issue of News Photographer.
* * * *
The June 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Ernie Crisp Television News Photographer of the Year, Stan Heist of WBFF-TV in Baltimore, MD. Heist is known for his storytelling and editing skills, but writer Kathleen Cairns tells about another side of Heist that only someone who knows him very well can see. Also in this issue, Jim Wooten, retired senior correspondent for ABC News, responds to the bombing in Iraq of his friends and cowokers – photographer Doug Vogt and ABC News anchor Bob Woodruff – by recalling the photojournalists he’s worked with over the years in “The Cameraman”; a look at this year’s Pulitzer Prize-winning photography from The Dallas Morning News for their coverage of Hurricane Katrina and from Todd Heisler of the Rocky Mountain News for “Final Salute”; Tom Van Dyke of the Chicago Tribune reports on the latest in Flash slideshows and multimedia authoring tools from a recent multimedia bootcamp at the University of North Carolina in Chapel Hill’s School of Journalism; and a slew of summer book reviews including Uncommon Valor by Hal Buell, State Fair by Arthur Grace, Indian Nations by Danny Lyon, and No Place For Children by Steve Liss. These stories and more in the June 2006 issue of News Photographer.
* * * *
The April/May 2006 issue of News Photographer magazine is a special edition that looks at NPPA’s 60-year history, from the circumstances that led organizers and founders Joe Costa, Burt Williams, and Charles J. Mack to sense a need for the organization back in 1946 until today, when NPPA faces a sea change in digital technology, publishing, and business practices. Author Marianne Fulton, former chief curator of the George Eastman House International Museum of Photography and Film, and author of the book Eyes Of Time: Photojournalism In America, writes about NPPA from the perspective of an editor and historian. Dave Wertheimer writes in Gain Is Good about how the NPPA changed the storytelling and ethics of television news. NPPA Ethics Chairperson John Long sees the ethical angst that many photojournalists struggle with today in a digital age that helped create an ethical fog that often challenges integrity. Common Cents author Mark Loundy sees how the business of editorial photojournalism has changed, and how some photojournalists were too slow to react and now may not survive the new economics. And photographic critic and curator Victoria Corcoran looks at photojournalism that has crossed over from newsprint onto gallery walls and asks, “But Is It Art?”These stories and more in the April-May issue of News Photographer.
* * * *
The March 2006 issue of News Photographer magazine features a cover story about the five men who have photographed all 40 Super Bowl games since the first championship match at the Memorial Coliseum in Los Angeles in 1967: Walter Iooss Jr., John Biever, Mickey Palmer, Tony Tomsic, and Dick Raphael. Also in this issue the story of what shooting conditions were like for several photojournalists at the Winter Olympic Games in Italy, and writer Stanley Leary takes a look at a great photographer's new book, Light: The Photojournalism Of Don Rutledge. Also, Davis Barber reports on photojournalism's slide "from a handshake to the dotted line" and reports on his survey results, describing the climate created for freelance photojournalists in the aftermath of Tasini v. The New York Times. These stories and more in the March issue of News Photographer.
* * * *
The February 2006 issue of News Photographer magazine features a cover story by author Ryan Reynolds about how the staff of the Courier & Press in Evansville, Indiana, responded to a midnight killer tornado that killed 24, injured 200 others, and destroyed hundreds of homes. Also in this issue the story of Elwood P. Smith, a photographer for the Philadelphia Daily News for more than six decades, a life-long NPPA member whose card was signed by NPPA's founder, Joseph Costa. Writer Oscar Palomo takes a look at what it means to be a TV chief photographer these days, and Jonathan Elderfield of the Chicago Tribune gives his perspective on "picture editor fatigue." Writer David Adams-Smith and photojournalist Jeanie Adams-Smith tell about the seven-year effort it took to produce their book, Children Of Divorce, as well as a look at this year's winner of the NPPA-Nikon Sabbatical Grant, Adriana Lopez Sanfeliu of Brooklyn, NY. These stories, and much more, in the February issue of News Photographer.
* * * *
January 2006 cover, inside spread
The January 2006 issue of News Photographer magazine features a cover story by photojournalist Lara Solt of The Dallas Morning News, who has spent much of her career learning how to do top-notch storytelling in suburbia. She practices her craft now in McKinney, TX, in Collin County, a wealthy Dallas suburb, but earlier in her career she learned suburban storytelling and community photojournalism while working for Copley Newspapers and Sun Publications in suburban Chicago after freelancing in New York City. Solt talks about finding the soul of suburbia by meeting the challenge of making meaningful pictures.
Also in this issue, Karin Schwanbeck takes another look at “the VJ flap,” where things aren’t working out exactly as planned in Nashville, TN, with the “one-man-band” concept of video journalists at WKRN-TV, where at least 12 folks have decided to either leave the station or were laid off after VJ guru Michael Rosenblum’s concept to replace traditional two-person news crews was initiated. Also, Jenn Fields writes about the new kid on the block, Casey Templeton, the 60th College Photographer of the Year who won with a portfolio built after he took at trip last year to Columbia, MO, to watch the open judging and to learn what it takes to have a first-place portfolio. And John G. Morris, the undisputed dean of photojournalism these days, files a “Letter From London” from the new FRONTLINE Club. These stories and much more, in the January issue of News Photographer.
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December 2005 cover, inside spread
The December 2005 of News Photographer magazine is the annual Best Of Photojournalism edition, and for NPPA members who are associated with television this issue also includes a special Best Of Photojournalism DVD of the winners' stories and the contest judging that you can watch on your own TV. The December issue also includes a special 48-page "ride along" publication from Canon USA that tells all about their new Canon EOS Digital Systems for professional photojournalists. This issue of Best Of Photojournalism winners includes portfolios from Newspaper Photographer of the Year Jim Gehrz of the Minneapolis Star Tribune, Magazine Photographer of the Year Chris Anderson of Magnum Photos, and a photo essay from Jon Lowenstein, winner of the Cliff Edom's "New America Award." These features, and winners from all the still photography categories, and much more, in the December 2005 issue of News Photographer.
* * * *
The November 2005 issue of News Photographer magazine features a cover story by Italian photojournalist and author Helen M. Giovanello, who spent last summer documenting refugee camps in North Uganda, along with “The Night Commuters” (children who walk miles, for hours, nightly, to sleep in the safety of groups in community centers to avoid being abducted, raped, killed, or forced into child soldiering by rebels, at dawn returning to their villages). In the IDP camps (for “Internally Displaced Persons”), Ugandans forced north and forever from their homes and families are now dying weekly at the rate of thousands. AIDS rates are soaring, despite government claims to the contrary, and alcoholism and disease have fertilized a new phenomenon that so far has been foreign to the African tradition: suicide. Giovanello asks, with so many people making so much money off the war, who could want to see it come to an end?
Also in this issue, television visionary and “VJ” (Video Journalist) guru Michael Rosenblum tells writer Karin Schwanbeck why he thinks that many traditional two-person TV news crews should be replaced with one-man-band VJs who shoot, report, write, edit, and voice their own stories. In northern Ohio, Allan Detrich of The Toledo Blade found out just how bad it can hurt when a photojournalist comes between Nazi marchers and their protesters. In a public park in Boston, photojournalist John Wilcox of The Boston Herald photographed heroin addicts shooting up, and one overdosed and then died despite the efforts of police and medical personnel who tried to keep the man alive. And from the Best Of Photojournalism 2006 contest committee, member Kenny Irby of The Poynter Institute for Media Studies explains the committee’s changes to the still photography contest’s categories and entry rules. These stories, and much more, in this issue of News Photographer magazine.
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The October issue of News Photographer magazine was a special issue commemorating the photographs of Hurricane Katrina and its aftermath, 116 pages with more than 70 photographs from newspaper, magazine, and wire service photojournalists who risked everything, many of them after losing their own homes, to cover the story. The cover photograph is by Richard Alan Hannon from The Advocate in Baton Rouge, LA. In the crush outside the Superdome in New Orleans on Thursday, September 1, 2005, a young woman lay dying on the ground. She was one of an estimated 20,000 people, evacuees from Hurricane Katrina, who during the night were walked from the Superdome through the lower level of a hotel and out to buses that were waiting to evacuate them from the flooding city. Hannon could see the scene through a window, but police would not let him go out for fear of what his presence with cameras in the crowd might instigate. So he shot through the glass as a young man cradled the dying girl, tenderly feeling a fading pulse in her neck, holding a crucifix over her, silently praying.
Louisiana State Trooper Jason Martel (standing just outside the frame, to the left) tried to help the girl, first bringing her an orange and then, moments after the picture was taken, picking her up and carrying her away for help – only to have her die moments later in his arms before they could reach a FEMA aid station. Martel told News Photographer, “It was a very difficult day that day between trying to have human dignity and common decency, but to also work so that it stayed safe.” This photograph, and more than 70 others, make up a special issue of News Photographer that you don’t want to miss.
Info : http://www.nppa.org/news_and_events/magazine/
September 2006 issue of News Photographer magazine
The September issue of News Photographer magazine features a cover story on Joseph J. Rosenthal, an NPPA Life member who took one of the most famous and iconic photographs in American history, of soldiers raising the American flag over Mount Surabachi during the bloody World War II battle for the tiny island of Iwo Jima in the South Pacific. Rosenthal, who won the Pulitzer Prize for photography for the image in 1945, died in late August at the age of 94. Also in this issue, writer Mike Binkley tells how KSPT-TV's Jason Hanson "runs and guns and gets it done," a video editor who also still shoots and - it just so happens - also turns out to be NPPA's Best Of Photojournalism's 2006 TV Video Editor of the Year, with photographs by last year's NPPA Newspaper Photographer of the Year, Jim Gehrz. In Indiana for the past eight years, photojournalist Steve Linsenmayer has been documenting Burmese refugees who came to Fort Wayne to start new lives. Editors at The News-Sentinel decided it was time to show Hoosier readers the far-away homeland where so many of their new neighbors came from (the city has the largest Burmese refugee community in the States), so they sent Linsenmayer to Burma and Thailand to bring home the pictures. Other stories in this issue include the first of a twelve-part series as former TV POY Doug Legore searches for past TV POY winners to discover where they are now, and what they're doing with their storytelling skills; photojournalism student Gadi Schwartz takes readers on a Mexican Journey as he follows a family's ten-day illegal trek across the border and into Colorado where they annually look for work; Charles Abel dives into what editors are looking for in cover letters from job and internship seekers; and a look at three new photography books by Steve Simon, Neil Leifer, and some New York City high school kids, reviewed by Steve Wolgast and Marianne Fulton. These stories and more in the September issue of News Photographer magazine.
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The August 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Photojournalist of the Year for Larger Markets, David Guttenfelder of the Associated Press. He grew up as a high school wrestler living on a farm in Iowa, then college and photography turned the world into his beat. Guttenfelder’s spent the last ten years covering most of the world’s major conflicts and news stories. Also, television news cameraman Kurt Volkert – who covered the world for three decades for CBS News, and after his experience in Cambodia co-authored the book Cambodian Odyssey, a story about the deaths of journalists covering that war – compares the “bad old days” of Cambodia with the “bad new days” of Iraq and the dangers photojournalists face today in that conflict. In other stories, writer Jim Trotter tells the story of Janet Reeves, the director of photography for The Rocky Mountain News, who came into the newspaper as a lab tech and rose through the shooting and picture editing ranks to lead a department that now wins Pulitzer Prizes for photography; and in first-person accounts, some of the photographers who persevered and survived Hurricane Katrina and who have spent the last year in New Orleans covering the city’s recovery share their experiences. Also in this issue are reviews of Bryan Moss’s new book, Photosynthesis, and David Friend’s new book, Watching The World Change: The Stories Behind the Images of 9/11. These stories and more in the August 2006 issue of News Photographer.
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The July 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Photojournalist of the Year for smaller markets, Josh Meltzer of The Roanoke Times. Writer Mary Bishop tells how Meltzer was destined to be a photojournalist, even from his high school days. Also, 34 years after “The Naplam Girl,” photojournalist Nick Ut assures those concerned about Phan Thi Kim Phuc that “Everything is okay now." Cindi Christie tells how the Contra Costa Times tackled "Where We Live" monthly for more than two years, and Stephen Wolgast talks with Ken Light about his new book, Coal Hollow, and the photographs and oral history he's done of West Virginia's collapsed coal miners. There's a tribute to a great newspaper editor, the late Barry Bingham, Jr., of Louisville, KY, and Corey Dellenbach tells what it's like to be a one-man-band newspaper sports editor and staff photographer at the Shawano Leader. These stories and more in the July 2006 issue of News Photographer.
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The June 2006 issue of News Photographer magazine features a cover story on the 2006 Best Of Photojournalism Ernie Crisp Television News Photographer of the Year, Stan Heist of WBFF-TV in Baltimore, MD. Heist is known for his storytelling and editing skills, but writer Kathleen Cairns tells about another side of Heist that only someone who knows him very well can see. Also in this issue, Jim Wooten, retired senior correspondent for ABC News, responds to the bombing in Iraq of his friends and cowokers – photographer Doug Vogt and ABC News anchor Bob Woodruff – by recalling the photojournalists he’s worked with over the years in “The Cameraman”; a look at this year’s Pulitzer Prize-winning photography from The Dallas Morning News for their coverage of Hurricane Katrina and from Todd Heisler of the Rocky Mountain News for “Final Salute”; Tom Van Dyke of the Chicago Tribune reports on the latest in Flash slideshows and multimedia authoring tools from a recent multimedia bootcamp at the University of North Carolina in Chapel Hill’s School of Journalism; and a slew of summer book reviews including Uncommon Valor by Hal Buell, State Fair by Arthur Grace, Indian Nations by Danny Lyon, and No Place For Children by Steve Liss. These stories and more in the June 2006 issue of News Photographer.
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The April/May 2006 issue of News Photographer magazine is a special edition that looks at NPPA’s 60-year history, from the circumstances that led organizers and founders Joe Costa, Burt Williams, and Charles J. Mack to sense a need for the organization back in 1946 until today, when NPPA faces a sea change in digital technology, publishing, and business practices. Author Marianne Fulton, former chief curator of the George Eastman House International Museum of Photography and Film, and author of the book Eyes Of Time: Photojournalism In America, writes about NPPA from the perspective of an editor and historian. Dave Wertheimer writes in Gain Is Good about how the NPPA changed the storytelling and ethics of television news. NPPA Ethics Chairperson John Long sees the ethical angst that many photojournalists struggle with today in a digital age that helped create an ethical fog that often challenges integrity. Common Cents author Mark Loundy sees how the business of editorial photojournalism has changed, and how some photojournalists were too slow to react and now may not survive the new economics. And photographic critic and curator Victoria Corcoran looks at photojournalism that has crossed over from newsprint onto gallery walls and asks, “But Is It Art?”These stories and more in the April-May issue of News Photographer.
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The March 2006 issue of News Photographer magazine features a cover story about the five men who have photographed all 40 Super Bowl games since the first championship match at the Memorial Coliseum in Los Angeles in 1967: Walter Iooss Jr., John Biever, Mickey Palmer, Tony Tomsic, and Dick Raphael. Also in this issue the story of what shooting conditions were like for several photojournalists at the Winter Olympic Games in Italy, and writer Stanley Leary takes a look at a great photographer's new book, Light: The Photojournalism Of Don Rutledge. Also, Davis Barber reports on photojournalism's slide "from a handshake to the dotted line" and reports on his survey results, describing the climate created for freelance photojournalists in the aftermath of Tasini v. The New York Times. These stories and more in the March issue of News Photographer.
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The February 2006 issue of News Photographer magazine features a cover story by author Ryan Reynolds about how the staff of the Courier & Press in Evansville, Indiana, responded to a midnight killer tornado that killed 24, injured 200 others, and destroyed hundreds of homes. Also in this issue the story of Elwood P. Smith, a photographer for the Philadelphia Daily News for more than six decades, a life-long NPPA member whose card was signed by NPPA's founder, Joseph Costa. Writer Oscar Palomo takes a look at what it means to be a TV chief photographer these days, and Jonathan Elderfield of the Chicago Tribune gives his perspective on "picture editor fatigue." Writer David Adams-Smith and photojournalist Jeanie Adams-Smith tell about the seven-year effort it took to produce their book, Children Of Divorce, as well as a look at this year's winner of the NPPA-Nikon Sabbatical Grant, Adriana Lopez Sanfeliu of Brooklyn, NY. These stories, and much more, in the February issue of News Photographer.
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January 2006 cover, inside spread
The January 2006 issue of News Photographer magazine features a cover story by photojournalist Lara Solt of The Dallas Morning News, who has spent much of her career learning how to do top-notch storytelling in suburbia. She practices her craft now in McKinney, TX, in Collin County, a wealthy Dallas suburb, but earlier in her career she learned suburban storytelling and community photojournalism while working for Copley Newspapers and Sun Publications in suburban Chicago after freelancing in New York City. Solt talks about finding the soul of suburbia by meeting the challenge of making meaningful pictures.
Also in this issue, Karin Schwanbeck takes another look at “the VJ flap,” where things aren’t working out exactly as planned in Nashville, TN, with the “one-man-band” concept of video journalists at WKRN-TV, where at least 12 folks have decided to either leave the station or were laid off after VJ guru Michael Rosenblum’s concept to replace traditional two-person news crews was initiated. Also, Jenn Fields writes about the new kid on the block, Casey Templeton, the 60th College Photographer of the Year who won with a portfolio built after he took at trip last year to Columbia, MO, to watch the open judging and to learn what it takes to have a first-place portfolio. And John G. Morris, the undisputed dean of photojournalism these days, files a “Letter From London” from the new FRONTLINE Club. These stories and much more, in the January issue of News Photographer.
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December 2005 cover, inside spread
The December 2005 of News Photographer magazine is the annual Best Of Photojournalism edition, and for NPPA members who are associated with television this issue also includes a special Best Of Photojournalism DVD of the winners' stories and the contest judging that you can watch on your own TV. The December issue also includes a special 48-page "ride along" publication from Canon USA that tells all about their new Canon EOS Digital Systems for professional photojournalists. This issue of Best Of Photojournalism winners includes portfolios from Newspaper Photographer of the Year Jim Gehrz of the Minneapolis Star Tribune, Magazine Photographer of the Year Chris Anderson of Magnum Photos, and a photo essay from Jon Lowenstein, winner of the Cliff Edom's "New America Award." These features, and winners from all the still photography categories, and much more, in the December 2005 issue of News Photographer.
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The November 2005 issue of News Photographer magazine features a cover story by Italian photojournalist and author Helen M. Giovanello, who spent last summer documenting refugee camps in North Uganda, along with “The Night Commuters” (children who walk miles, for hours, nightly, to sleep in the safety of groups in community centers to avoid being abducted, raped, killed, or forced into child soldiering by rebels, at dawn returning to their villages). In the IDP camps (for “Internally Displaced Persons”), Ugandans forced north and forever from their homes and families are now dying weekly at the rate of thousands. AIDS rates are soaring, despite government claims to the contrary, and alcoholism and disease have fertilized a new phenomenon that so far has been foreign to the African tradition: suicide. Giovanello asks, with so many people making so much money off the war, who could want to see it come to an end?
Also in this issue, television visionary and “VJ” (Video Journalist) guru Michael Rosenblum tells writer Karin Schwanbeck why he thinks that many traditional two-person TV news crews should be replaced with one-man-band VJs who shoot, report, write, edit, and voice their own stories. In northern Ohio, Allan Detrich of The Toledo Blade found out just how bad it can hurt when a photojournalist comes between Nazi marchers and their protesters. In a public park in Boston, photojournalist John Wilcox of The Boston Herald photographed heroin addicts shooting up, and one overdosed and then died despite the efforts of police and medical personnel who tried to keep the man alive. And from the Best Of Photojournalism 2006 contest committee, member Kenny Irby of The Poynter Institute for Media Studies explains the committee’s changes to the still photography contest’s categories and entry rules. These stories, and much more, in this issue of News Photographer magazine.
* * * *
The October issue of News Photographer magazine was a special issue commemorating the photographs of Hurricane Katrina and its aftermath, 116 pages with more than 70 photographs from newspaper, magazine, and wire service photojournalists who risked everything, many of them after losing their own homes, to cover the story. The cover photograph is by Richard Alan Hannon from The Advocate in Baton Rouge, LA. In the crush outside the Superdome in New Orleans on Thursday, September 1, 2005, a young woman lay dying on the ground. She was one of an estimated 20,000 people, evacuees from Hurricane Katrina, who during the night were walked from the Superdome through the lower level of a hotel and out to buses that were waiting to evacuate them from the flooding city. Hannon could see the scene through a window, but police would not let him go out for fear of what his presence with cameras in the crowd might instigate. So he shot through the glass as a young man cradled the dying girl, tenderly feeling a fading pulse in her neck, holding a crucifix over her, silently praying.
Louisiana State Trooper Jason Martel (standing just outside the frame, to the left) tried to help the girl, first bringing her an orange and then, moments after the picture was taken, picking her up and carrying her away for help – only to have her die moments later in his arms before they could reach a FEMA aid station. Martel told News Photographer, “It was a very difficult day that day between trying to have human dignity and common decency, but to also work so that it stayed safe.” This photograph, and more than 70 others, make up a special issue of News Photographer that you don’t want to miss.
Info : http://www.nppa.org/news_and_events/magazine/
Jumat, September 08, 2006
The DAM Book Digital Asset Management for Photographers
an you find your digital photographs when you need them, or do you spend more time rifling through your hard drive and file cabinets than you'd like? Do you have a system for assigning and tracking content data on your photos? If you make a living as a photographer, do your images bear your copyright and contact information, or do they circulate in the marketplace unprotected?
As professional photographer and author Peter Krogh sees it, "your DAM system is fundamental to the way your images are known, both to you and to everyone else." DAM, or Digital Asset Management, in the world of digital photography refers to every part of the process that follows the taking of the picture, through final output and permanent storage. Anyone who shoots, scans or stores digital photographs, is practicing some form of digital asset management. Unfortunately, most of us don't yet know how to manage our files (and our time) very systematically, or efficiently
http://rapidshare.de/files/10984295/DAMPhotographers.rar
or
www.mytempdir.com/434654
http://rapidshare.de/files/12692836/damp.aliver.rar.html
As professional photographer and author Peter Krogh sees it, "your DAM system is fundamental to the way your images are known, both to you and to everyone else." DAM, or Digital Asset Management, in the world of digital photography refers to every part of the process that follows the taking of the picture, through final output and permanent storage. Anyone who shoots, scans or stores digital photographs, is practicing some form of digital asset management. Unfortunately, most of us don't yet know how to manage our files (and our time) very systematically, or efficiently
http://rapidshare.de/files/10984295/DAMPhotographers.rar
or
www.mytempdir.com/434654
http://rapidshare.de/files/12692836/damp.aliver.rar.html
Kamis, September 07, 2006
Calculators 2006 ... All-In-One
Application includes:
01- MS Student Graphing Calculator 2006 v15.0.3400.0603
02- PG Calculator v2.2.5
03- AVD Volume Calculator v5.0
04- PractiCalc v3.4.36
05- ProKalc v7.8
06- Second Millennium Invisible Calculator v3.1
07- FAS Calculator v1.1
08- HPMB Calculator v3.32
09- Dream Calculator v1.3
10- Dream Calculator 2006
11- Other Calculators: Love Calculator - Due date Calculator - Birthday Calculator - Life Expectancy Calculator - Robot Calculator (Flash game for kids math training)
Included eBook:
Peter Norton's New Inside the PC
http://anonym.to/?http://rapidshare.de/files/29657803/CS-TP.rar.html
Unrar password:
CS-TPachino
Langganan:
Postingan (Atom)